Here you can see "Solo on Vert", a large contemporary abstract diptych, in its new home in Munich, Germany. It’s a beautifully reduced work with green elements and marks that seem to dance across the width of the piece. The deep green wall creates a perfect dialogue with the painting, and the natural greige linen adds an elegant, understated harmony to the space — a wonderful example of how abstract art can integrate seamlessly into a collector’s interior.

"Solo en Vert" | 120x240 cm |  ~47x94 in | acrylic-mixed media | raw linen | 2020.

Photo courtesy of the collector.

This is "Bleu, Je t’embrasse", a large‑scale contemporary abstract commission created for an interior design project in New York, USA. The piece was developed based on the client’s preferred color palette and another artwork of mine used as a reference.

For me, it’s a wonderful example of how a large format painting doesn’t necessarily require a huge amount of space. This work was intentionally chosen to fill the area above the sofa and between the windows almost entirely — yet thanks to the airy, dancing motif on raw canvas, it still feels light and far from overwhelming.

"Bleu, Je t'embrasse" | 142x218 cm |  ~56x86 in | acrylic-mixed media | raw canvas | 2022.

Interior project and photo courtesy:  Cochineal Design.

This photo shows "Summer Wine", a large format on paper in its new home in Phoenix, Arizona, USA. It’s a particularly interesting example of how a very large work on paper can be framed:  The collectors chose to mount it between two acrylic glass panels — a striking and elegant way to present such a large contemporary abstract piece.

"Summer Wine" | 140x287 cm |  ~55x113 in | acrylic-mixed media | paper | 2020.

Photo courtesy of the collector.

This photo shows the Triptych “The 80’s” in its new home in Beverly Hills, Los Angeles. For me, it’s a perfect example of how a powerful, colorful abstract piece can harmonize beautifully with classic interior design — each enhancing the other. 

The work was placed as part of an interior project which was featured in an Architectural Digest home story. 

"The 80's" | 120x240 cm |  ~47x94 in | acrylic-mixed media | canvas | 2015.

Interior project by Elizabeth Law Design.

Photo copyright: Jenna Peffley/ Architectural Digest.

This is “I Always Take the Biggest Sundae III” in the collector’s home in Hong Kong, China. In this sleek and elegantly understated interior, it adds exactly the right touch of dynamic energy and vibrant color — a perfect accent that brings the space to life.

“I Always Take the Biggest Sundae III” | 160x120 cm |  ~63x47 in | acrylic-mixed media | raw linen | 2021.

Photo courtesy of the collector.

A large format for a large space — “It’s Getting Hot in Here” in its home in Capistrano Beach, CA, USA. For me, it’s another great example of how a very large abstract painting can pair beautifully with classic interior design, giving the room that special something: color, strength, and dynamic energy.

“It’s Getting Hot in Here” | 200x160 cm |  ~79x63 in | acrylic-mixed media | raw canvas | 2022.

Interior project and photo courtesy: Guenther & Lane Design

Sometimes collectors see things differently — when the collectors of “Midnight Sun” first reached out and said they’d love to hang the piece in another orientation, I hesitated. To me, it had never been a vertical painting. We exchanged photos of the room, rotated and placed “Midnight Sun” digitally… and it was perfect. I reworked the piece, signed it again, and now it lives in Pinecrest, FL, USA.

"Midnight Sun" | 200x160 cm |  ~79x63 in | acrylic-mixed media | raw canvas | 2023.

Photo courtesy of the collector.

This is “Paradise Sunset”, now living in Wichita, USA. A modern, elegantly understated interior — and a painting that sets the perfect focal point with its color and vibrancy. I had a wonderfully warm exchange with this collector and know that the piece now hangs in a different spot, and she even painted the wall behind it in a soft sage green just for the artwork.  

"Paradise Sunset" | 160x160 cm |  ~63x63 in | acrylic-mixed media | raw canvas | 2023.

Photo courtesy of the collector.

I’m truly delighted that my paintings now live in 27 countries around the world — but it’s always special when one stays close to home. This piece is one of the largest works from my “Pink Is the New Black” series, and it has found a loving home in Friedberg, Germany. With its bold scale, vibrant color, and dynamic movement, it’s the perfect eye‑catcher on the wall beside the gallery‑like second level of the house.  

"Pink Is the new Black III" | 160x200 cm |  ~63x79 in | acrylic-mixed media | raw canvas | 2023.

Photo courtesy of the collector.

Another beautifully balanced classic‑modern interior featuring a large abstract centerpiece: “Dive into the Unknown,” with its earthy green‑turquoise‑blue tones and powerful gestural brushwork. It now lives in Carmel, IA, USA — a striking focal point that brings depth, movement, and color into the space.  

“Dive into the Unknown” | 160x160 cm |  ~63x63 in | acrylic-mixed media | raw canvas | 2023.

Photo courtesy of the collector.

Here, “Blumenwiese” connects the two levels of a maisonette apartment in Frankfurt, Germany — hanging in a tall hallway it becomes a visual bridge between floors. When leaving the private rooms upstairs in the morning, you’re greeted with an instant burst of green energy!

"Blumenwiese" | 160x160 cm |  ~63x63 in | acrylic-mixed media | raw canvas | 2021.

Photo courtesy of the collector.

These two works from my “Don’t Expect Life to Make Sense” series — originally independent pieces, but chosen and hung here as a pair — have found their forever home in Frankfurt, Germany. I love how perfectly they complement each other, and if the room layout ever changes, they can easily be displayed separately again.

"Don't Expect Life to Make Sense 1 & 3" | 100x70 cm each |  ~39x28 in each | acrylic-mixed media | paper | 2020.

Photos courtesy of the collector.

“Dream Myself Away” was a commissioned piece. The client wished for a painting with green as the main color, and together we defined the format. With its powerful greens combined with blue and white, the work instantly transports you into another world — evoking rest, calm, and the feeling of being on holiday. It now lives happily in a loving home in Eppstein/Ts., GER.  

"Dream Myself Away" | 120x120 cm |  ~47x47 in | acrylic-mixed media | raw canvas | 2022.

Photo courtesy of the collector.

One of my largest works to date: “Getting High on Red,” a monochrome diptych. I remember well how my studio space at the time just allowed me to place both panels side by side! While painting, I kept wondering whether anyone would ever have the space for such a large piece… and funnily enough, it found a new home in Brilon, Germany quite quickly. It fits this contemporary‑modern house perfectly — a true focal point through its color and scale, yet not too loud to overpower the refined simplicity of the interior.  

"Getting High on Red" | 200x320 cm |  ~79x126 in | acrylic-mixed media | raw canvas | 2021.

Photo courtesy of the collector.

Placed just right, even a small artwork can become the highlight of a room — this is 

“I Have Just Seen a Face” in its home in Washington. A compact piece with strong presence, bringing focus, color, and personality into the space.  

“I Have Just Seen a Face” | 50x40 cm |  ~20x16 in | acrylic-mixed media | raw linen | 2020.

Photo courtesy of the collector.

Minimalist and opulent at the same time — raw linen, deep dark gray‑blue, and creamy white, yet with a rich application of paint and bold, confident gestures, this is "The Sky is Ours". Created as if tailor‑made for this home, it moved in just shortly after its completion and now lives in Kronberg/Ts., Germany. 

"The Sky is Ours" | 150x150 cm |  ~59x59 in | acrylic-mixed media | raw linen | 2021.

Photo courtesy of the collector.

This photo shows “The Sky Opens” in its new home in New York, USA. A large‑scale work that almost fills the entire wall — and thanks to its subtle, restrained palette of radiant white and azur blue, it fits the space perfectly. A calm yet powerful presence that anchors the room without overwhelming it.  

"The Sky Opens II" | 155x155 cm |  ~61x61 in | acrylic-mixed media | raw canvas | 2018.

Interior design and photo courtesy: Dahlias Day

It doesn’t always have to be a large format: here, “This Crazy Life” brings vibrant color, vividness and a touch of opulence to the modern simplicity of the interior. A medium-sized work with big impact — now at home in Cologne, Germany.  

"This Crazy Life" | 100x100 cm |  ~39x39 in | acrylic-mixed media | raw canvas | 2024.

Photo courtesy of the collector.

Even though it looks as if it were created specifically for this room, "A World full of Secrets" was not a commission! The creamy tones of the interior echo the raw canvas, and the greens of the artwork are beautifully picked up in the room’s details. Centrally placed in its home in Frankfurt, Germany, the painting ties everything together with ease and elegance.  

"A World full of Secrets" | 160x120 cm |  ~63x47 in | acrylic-mixed media | raw canvas | 2020.

Photo courtesy of the collector.

A classic is a classic: black and white never gets old! In “From Outer Space,” this timeless palette is sharpened with a crisp, vibrant red — a striking accent that gives the piece its bold, contemporary edge. It looks absolutely perfect in this classically elegant interior in its new home in New York, close to Central Park, beautifully complemented by sculptural works. A confident dialogue between painting, space, and objects. 

"From Outer Space" | 100x100 cm |  ~39x39 in | acrylic-mixed media | canvas | 2015.